The Journeybook

If the doors of perception were cleansed,
everything would appear as it is – infinite.
St. William Blake

In my last post I have stressed the importance of the psychedlic experience for my first contact with magickal consciousness that has become kind of my entrance into Neo-Paganism & Thelema. As I said I do not think that most people use these sacred plants in a beneficial way, but some do. And I still have a sentimental love for the psychedelic subculture. I find it’s great when some individuals explore the strange & wyrd pathways of consciousness through the gateways of psychedelic plants and create documents (if that be music, books or art) of their adventurous journeys into the anima mundi.

I don’t know what has been the exact role of sacred plants in Heathenism, but I once read in a book by Christan Rätsch that the Mead of the berserkers had only 2% alcohol & the really active contingents have been psychoactive substances of sacred plants (maybe also including Psilocybin mushrooms, he suggests). However, I found this interesting book by the Australian- based art collective Undergrowth, who have released The Journeybook.

“…To say what has never been said, to see what has never been seen,… to push the envelop of creativity and language…” Terence McKenna

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How I Sold My Soul to the Devil and Thus Found Odhinn

Rúnar munt thú finna    ok rádhna stafi, mjök stóra stafi,
mjök stinna stafi,
er fádhi fimbuldhulr

ok goerdhu ginregin
ok reist Hroptr rögna
.

Runen wirst du finden und lesbare Stäbe,
sehr starke Stäbe,
sehr mächtige Stäbe,
gefärbt von Fimbuldhurl
gegeben von den magischen Göttern
und geschnitzt vom höchsten Herrscher.

Runes wilt thou find and read the staves,
very strong staves,

very stalwart staves,
which the mighty theal colored
and the magical gods made
and Hropt of the gods carved them.

“Hávamál”, verse 145. Old Norse version & English translation taken from Rune-Song by Edred Thorsson; German translation taken from Helrunar by Jan Fries, with little variations by me.

My first conscious contact with magick happened, when I took ‘magic mushrooms(f.e. Psilocybe cubensis, Psilocybe mexicana, Psilocybe semilanceata asf.). They worked for me as a trigger & made me aware of the fact that self-awareness is a miracle & mystery in itself. Having said that, let me state clearly that the prolonged use of such substances may have disastrous effects on the psyche. I’ve seen that happening to friends! Drugs, including psychedelics, are in most cases no help for spiritual seekers. (Heedful & experienced use of ‘chemognostic sacraments’ is possible in a shamanic and/or therapeutic context as the writings of Stanislav Grof prove. Nevertheless, most people misuse drugs. They try to escape reality & the responsibility of being human.) For spiritual pursuits – and most other endeavors in life – counts the following: Es gibt keine Wunder, nur Disziplin. (“There are no miracles, only discipline.”) Ian Read said this in his brilliant magazine RUNA, No. 19. (North Americans can purchase Runa Magazine from Runa Raven press, orders outside the US here) Most hippies & other protagonists of the 1960s who fished for short-cuts on the spiritual path somehow forgot about that. However, I’d argue that the first manifestation of my magickal path has been ‘psychedelic neo-shamanism’. What followed, sounds to me today like a cliché. An uprooted & alienated, urban & postmodern youngster tries to overcome his youthful nihilism by taking drugs & trying to escape consensus reality by following (what I then believed to be) AmerIndian shamanism. I was introduced to Castaneda’s books, Sun Bear, Terence McKenna, Aldous Huxley, Timothy Leary & Jim DeKorne’s Psychedelic Shamanism. I visited often the local forest of my town & have been doing ‘shamanic journeys’ to the underworld (today I’d say my subconscious mind or the Deep Mind, as Jan Fries calls it), where I met my ‘power animals’ & asked them questions about certain issues that were important to me. The shamanic journeys came to an end, when I came across a very mysterious & weird book: Liber AL vel Legis (The Book of the Law). This “Book of Claws” :-) has been written by the notorious & furious, half-mad & half-ingenious Devil’s advocate: the Beast 666, also known as Aleister Crowley, called lovingly by us all who were ‘seduced’ by his exhilarated & energized enthusiasm Uncle Al.

Being who I am I found out EVERYTHING about Aleister Crowley & wanted only one thing from that moment on: to learn about magick.  This has led me at age 19 to the Ordo Templi Orientis. OTO is a group that promotes Crowley’s religion of Thelema (“True Will”) & occasionally practices (rather boring) rituals of Ceremonial Magick. While having been studying the stale & dogmatic system of Crowley, I slowly realized that there were other systems of magick around that have a far more easier & pragmatic approach to sorcery. (Then being “brainwashed” by modern occultism I thought of sorcery as a kind of ‘lower’ form of magick.) This was the hour of Austin Osman Spare & his ‘revolutionary’ method of sigil sorcery.

Because reading AOS is a rather complicated issue, it was the repeated application of ‘Thee Sigil Ov 3 Liquids’ in Thee Greyer Book that initiated a series of events that convinced me once & for all that magick WORKS as I got immediate results. (This manual was/is the manifesto of Thee Temple Ov Psychick Youth that was founded in 1981 by Genesis P-Orridge, Peter Christopherson and others who are no longer its members.) It must have been what they call ‘beginner’s luck’! Such experiences with practical sorcery – those that manifest in the material world – are more important for the budding magician than reading thousand books by Crowley or whomever. I was 22 then. Thus my soul was sold to the Devil. He looked like him:

the inventor of magick and anything else that is fun & forbidden. But at that moment in time I already knew that the Devil was nothing but the degenerated manifestation of far older gods of our pagan forefathers. I believe these pagan gods to be the ecstatic Pan, Óðinn, Loki, asf.Of course any god that was associated with sensuality, sexuality & sorcery became a Devil. Satan does not exist, except in the minds of those that deny these aspects of Self.) As I’m a very loyal person it took me a while until I accepted the conclusion that my path lies outside of Crowley’s Current 93 & I left OTO at age 25. (Though to this day I find the 93rd Current an important one and I do believe that an intelligent and creative person can use Crowley’s work in a beneficial way.)

However, leaving OTO was an initiation in itself. But this initiation was not the kind of ‘freemasonic theatre play’ you pay 100 or 200 Euros/Dollars for to ascend in the artificial hierarchy of a magical order. No! This step has led to a spiritual crisis (the ‘Hagalaz-Nauthiz-Isa-Jera dance). It’s important to die before you die, my friends! This was the time, when I toyed around with chaos magick and, as I said before, there is no doubt that this current has brought fresh and new perspectives into contemporary magick. It synthesized the threads of the antagonistic twins Crowley & Spare in conjunction with the spirit of ‘free-form shamanism’ to bring forth a postmodern approach to magick, where “Nothing Is True & Everything Is Permitted” (Hassan-i Sabbah). I found a lot in chaos magick that inspired me, especially the fundamental insight that Gnosis & Belief are important for magick to work, though some chaos magicians already come to the conclusion that “belief alone is […] the basis of magick and gnosis is optional.” (Dave Lee, in a review of Advanced Magick for Beginners).

Dave Lee, Chaos Magus and Rune Master

But as time progressed my interest moved ever stronger towards the Runes. Simultaneously the chaos magick approach became an integral part of my magical assets, even if my ‘paradigm shifting’ always remained an unconscious process rather than a conscious attitude.

Though I have heard of the Runes for the first time when I was 15 or so, I’ve been confronted at that time only with the inauthentic Armanen-Futhark (composed of 18 Runes, which Guido von List ‘received’ in a state of crisis during which he was blind for a half year) and the terrible New Age nonsense by Ralph Blum (whose ‘system’ is anathema to anyone who is committed to the Runic Tradition). But since then I felt a deep respect for the Runes. Years later I found a book in the university library next to my school. It was called Leaves of Yggdrasil written by the Dutch singer, writer & ‘Norse Occultist’ Freya Aswynn. She inspired me to do a few divinations with Runes that were intriguing. However, as I don’t like to fiddle about too much, my focus has still been to unravel Crowley’s system of magick first. I also understood intuitively that Runes are nothing you can just explore in a few months. I understood intuitively that Runes are not just another ‘paradigm’ to ‘exploit’. Rather the Mystery encoded in the Runes demands of the Seeker to dedicate his whole life – and beyond – to the quest for Her: Runa Many years later, when I was already studying at university myself, I came across the German translation of Edred Thorsson’s Nine Doors of Midgard.

This was for the first time when it suddenly dawned on me that there is a Runic Revival going on and that the Runes have a tradition of their own. As I became already dissatisfied and disaffected with Crowley’s system and the OTO, and chaos magickalready began to crack open my head, I started to study the religion, culture and language(s) in which the Runes have originated [well, I studied one semester of Icelandic until now and I had to break off the course on Old Norse… but I will come back to it when time allowes!]. And here, for the first time, I realized where my roots lie – hidden.

I am still fairly new to Heathenism and it’s not long ago that I swore my first oath to Óðinn. But from the first moment on I read about the idea put forth by Edred Thorsson / Stephen Flowers that the Seeker has to emulate the archetype of the First Runemaster Óðinn, to emulate His act of ‘Winning the Runes’, for gaining insight into Runa – the Mother of all Mysteries – I knew this is where my magick has led me. (However, as I identify with ANON it must be considered that there is no ultimate destination. „Anon freely transmogrifies its arbitrary personality, refusing any identity defined by its environment. Residing in the ultimate freedom possible on the plane of illusion, it has choice of duality. Everything which exists for it is a form of desire, for this is the universe in which it willed to incarnate.“ — in: Liber Null, by Pete Carrol) Feeling attracted by the Mystery, I swore my first oath to Óðinn whilst holding my Sax against my beating heart and ever since I’m feeling the pull from Runa becoming stronger and stronger. Thusly the trail of the Devil turned out to be the demon’s footprint of the one-eyed God whose Rune-Might still manifests in Midgard. „When the written codes of Gods and Man are abandoned, what remains but the footprint of the Demon?“ (Fire + Ice) Now I began to know my own wyrd and destiny. And I hear the knocking of Sleipnir’s hooves and the winds on the raging sea, whispering from eternity: Reyn til Runa!

Edred Thorsson, Ian Read, Phil Hine, unknown, and Ingrid Fischer

And as long as there are those who devote themselves to the Quest for Runa like the First Rune Master did, who arranged and carved the Runes 2200 years ago in the form of the Elder Futhark, the Might of our Holy Gods still lives on. “Our freedom shall hinge on it soon… Take Wyrd in your hands & reclaim your Might.” (Sweyn Plowright/Fire + Ice) And it’s only now that I begin to have glimpses of understanding the words whispered to us through the ages. Just by reading these words and speaking them aloud I get my Óðr rises and combines with my hughr and minni:

Rúnar munt thú finna    ok rádhna stafi,
mjök stóra stafi,
mjök stinna stafi,
er fádhi fimbuldhulr

ok goerdhu ginregin
ok reist Hroptr rögna
.


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I am Loki's Love Child

Just kidding! Hope I got your attention, though.

I can’t believe I’ve spilled so little ink (pixels?) on Loki with this little journal. If you’ve been following my writing for long you’ll know what a fool I am for the cheeky bastard. But how did I come to be a Loki lover? I mean, isn’t Loki, like, a BAD DUDE?

Well first of all we need to realise that his role in Norse mythology changes over time. For much of the myths Loki is a troublesome but sympathetic Puck, the partial outsider who initiates chaos but also fixes it in marvellously inventive ways.

Loki saves the gods from all kinds of messes (admittedly sometimes messes he created) and usually in doing so brings them all kinds of advantages. There’d be no Mjollnir, Skidbladnir, Sleipnir or Gungnir if not for Loki’s mischief and ingenuity.

Likewise, without Loki’s excruciating sense of humour the gods would have been thoroughly stomped on by Skadi (surely any myth involving goats and testicles has to be celebrated as a spiritual triumph!)

Not only that but for many adventures Loki and Thor are travel-mates and complement one another very well. The hammer god and the trickster are a perfect combination of character traits when you think about it: either on their own would have a much tougher time negotiating the dangers of Utgard.

And of course Loki and Odin are blood-brothers. Some people can’t understand this but I think they are forgetting that Odin is a lot more complex than just some boring “Our Father who art in Asgard” figure. People, Odin is not Jehovah! He’s a ragged, raging, womanising poet with a mouth filled with mead and veins filled with fire.

Of course Odin’s own ancestry is giantish anyway (like so many of the Aesir actually… this business about giants and gods being implacable foes is a myopic understanding of the mythology).

In fact if you think about it…Thor is the son of Odin and Jord – so he is himself of giant stock! Go on, someone tell me I’m wrong, I dare you!

Not familiar with these stories? Oh come on folks, I’m not going to retell these bloody myths here and now. Suffice to say, there’s plenty of hard mythic evidence to justify our celebration of Loki and his irrepressible spark. Go do some reading and drop a few blinders if you feel like it, too.

Ok, sure, so things go sour with Loki and the Aesir. Then again Ragnarok leads to rebirth and new life, and in a way even this terrible disaster makes ultimately for a brighter world.

I’m not necessarily defending Loki’s actions, but given that whole business with the gods chaining him down and dripping venom on him – well its understandable that he wasn’t a happy boy after that misadventure. Can’t have been much fun for poor Sigyn either, and she didn’t even do anything wrong!

So what about my personal relationship with Loki? You know, it was a gradual, bashful introduction. I got all curious about him, I guess because I myself have a very troublesome, cheeky streak. I like to “question authority” as Mr Leary would have it.

I might live in a glass house (don’t we all) but like Loki I still can’t resist chucking the odd stone or fifty.

That’s part of why we describe Chaos Heathenism as being internally contradictory. We rather figure that every other philosophy or approach to magic and/or Heathenism has its blind spots anyway so we might as well be up front about it. By embracing the attitude of a god of deception we actually end up being more honest. I hope.

I haven’t done it yet this year but usually around March I make an offering to Loki. Invariably he throws all sorts of trouble at me and I have to learn to laugh at my misfortune. On some occasions this has produced a string of events which – just like in the myths – have left me in a much better position for his machinations.

The thing is though – you can’t use Loki. I mean, if I did these offerings with the secret intention of getting something out of it, he’d shaft me for sure. And I wouldn’t blame him either. The motivation has to be one of reverence, respect and laughter. Loki kicks the asses of spiritual misers all day, every day.

I guess I also relate to Loki because I’ve often felt like an outsider, different, weird, strange – and in Germanic mythology he seems to occupy a similar role. At times Loki gives me courage to be myself, to stick it to the stiffs, and I really appreciate that gift.

It’s hard to be me sometimes, just because I don’t seem to play well with others in lots of contexts (though I think often that says more about them than about me). Loki has similar problem.

It isn’t malevolence – it’s just that when you can’t switch off your BS detector you can start to get a bit uppity. As I get older and braver I find it harder to silently choke on my troublesome instincts.

The danger is that this posture turns into an ego trip itself. “I am the great and mighty outsider, and all you sheep are just a bunch of worthless psychic wimps”. How many times have we all heard that little head trip? Sometimes these loonies even manage to accrue followers. Imagine – an army of perfectly uniform ‘individuals’. Classic.

Well I have no desire to be the next Heathen Osho (who seemed to have the spiritual goods even if he also developed a weakness for cult compounds, drugs and dodgy sexual manipulation).

But I still need to be careful because, as you might have noticed, I SOMETIMES FLY OFF THE HANDLE AND SAY STUPID, STUPID THINGS.

Ahh, that’s better. I hope you are getting a flavour for what Loki magic can be like. If you are a little horrified by your own antics then you are on the right track. Just don’t take it too far (except for when you really feel like it).

Loki can teach you a lot about your limitations, and about the limitations of others, if you spend a little time listening to his erratic advice. He can really help those of us who are deeply introverted to bust out and be ourselves.

The hilarious thing is that once you start acting out, you realise most people are too busy navel-gazing to notice you anyway. As Loko psychonauts Beastianity put it: “you’ll screw bars all over your windows and give thanks you don’t live in a prison”. Loki is great at shattering the mental halls of mirrors that we snare ourselves within.

Look, I am anything but an expert in the Loki way. I have so much to learn. I get so damn serious at times, so damn sincere that it hurts. I get really stuck in my little porthole into reality and I become an easy butt for jokes – but thank Loki I have friends willing to stick it to me.

It’s possible that some folks reading this article really might not know what the heck I’m on about. To these I invoke Loki – get out there and have some fun my troublesome friend!

The only way you’ll ever know is by giving Laufey’s son a go. So just call on him with honest passion and curiosity and a little love. He’ll take it from there.

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Grimmnomancy

Right: news, sales spiels and housecleaning aside, its time for more on my Chaos Heathen adventures…

Grimms’ fairy tales. Clint gave me a marvellous hard bound copy of this strange treasure trove when we met up recently (thanks Clint)! I read the whole damn thing years ago but at the time – well I just didn’t get what the fuss was about.

Many of the tales are just rearrangements of the same elements, many of the characters and scenes have become hopeless clichés. Is this, I wondered, really a useful or relevant link between modern times and arch-Heathen times?

I used to think a lot of rubbish when I was younger (not that I’m exactly old or crusty as someone about to turn 29 … I hope).

I’ve come to realise that this book can be used for divination, depth psychological exploration, inspiration (and article of mine for the next issue of Hex is inspired by a Grimm tale), operant magic, and they even shed fascinating light on the more ‘authentic’ old school Heathen myths.

You can probably think of another 50 or so uses if you like. Given the magical connection I have with Clint it seemed only right to set his gift to magical purposes.

Let’s say I do a divination experiment right now with this hidden trove of collective unconscious-soaked imagery.

Here’s a question I have: a relative has recently received a potentially very dangerous medical diagnosis. When the possibility of this diagnosis was first raised I threw some runes.

They specified the precise physical location of the problem, predicted that the treatment would be a shock to my relative’s system, but that robust health was in store for the future.

Confirmatory lots indicated the importance of keeping busy and not getting lost in ‘why me’ sorts of self-pity.

Ok, so the reading so far has been very accurate – it predicted which way the diagnosis would go and where the problem would be (there were several possibilities). Its prediction on the treatment to be adopted looks also to be confirmed though we will not know until Monday.

If random assignment of ancient squiggles can ever be called a reliable basis for future prediction then this reading seems to be doing well so far and provides an adequate point of reference for our experiment in Grimm bibliomancy. Here’s how it works.

First, I dwell in my mind on the images associated with the outcome of this situation, on my relative, on the feelings of care and fear the situation evokes in me, on the medical paperwork generated thus far, on the various possibilities for what might come next. I try to dissolve myself into this pool of imagery and emotion.

Then I open my copy of the fairy tales at a random page. The King’s Son Who Feared Nothing. A story with a recurring motif of a courageous hero whose faithful allies are able to cure him of all ills with the Water of Life.

Freely associating this water that the king’s son’s lion companion draws from a magical well (Mimisbrunnr? Urdabrunnr?) I am drawn to thinking about wyrd.

My relative’s wyrd will save them. Their medical orlog – their health – is good; and they have good helpers. There may be pain or suffering but nothing that cannot be salved and healed. Indeed, they might in some fashion become stronger for the struggle.

As in the story, it seems to me the treatment will be swift and successful, though it may need several applications for full success unfortunately.

Confluent with my reading is the emphasis on a strong, positive mindset, an unwillingness to be defeated – this seems to be important.

A reading like this is difficult to do objectively of course, because the subject matter is so close to home. But the motif of overcoming sickness or injury in this story is unambiguous, even if there is some struggle involved as well.

Perhaps not the best possible future prediction with the repetition of treatment… but it could be a lot worse.

So there you have the basics of Grimm divination, if presented in a rather simplistic way. Many of the elements in this story seem to tap into elder mythology – trickster giants, arm bands that bring strength, animal familiars coming to the rescue, and an ordeal in which for three nights the hero is beaten by goblins and three times healed.

There is an apple from a magical garden (Idunna’s garden perhaps?), and the motif of a weaker man sending a stronger man as his emissary for some task necessary for the winning of his bride (consider Siegfried and Brunhilde).

There’s even a sleeping beauty variation in the story, with the princess in a dilapidated castle (it is for her that the king’ son must endure the nights of goblin violence).

Crossing to alchemical thinking for a moment, the king’s son is an important alchemical figure, the heroic deed-doer who is able to shatter stagnation but who must die his own death in order to enter dissolution and rebirth as a divine king.

Here we can dream into his captive princess as the feminine aspects of the world with which the masculine must embrace in union. She in turn is the key to a kingdom, so through their union she is healed and restored to power and he is transfigured from energetic but callow youth into wise and noble leader. Each guides the other into their destiny.

Do these metaphors mean anything? As I find myself writing I see myself, people I know, reflected in them. I find myself realising that this bit of bibliomancy is far from finished when the original question is answered. I see invitations of resolve, hope, healing, or shadow echoing out from the tale into the figures around me.

All that it takes is a little imagination, the willingness to suspend control over your mind and instead submit to its rumination. The technique is simple – whatever comes to mind, take it as significant, meaningful, not random. “One word led to another word.”

One of the great things about doing divination with Grimm’s fairy tales is that you have so much material to work with! Let’s say you are using 16 or 24 runes, or even a tarot deck. This book has two hundred and eleven stories and you could easily draw on several to weave together a reading.

The lateral connection between them might offer insights that you could not have gleaned from just one story on its own. This works with runes and tarot, right, so why not old Germanic fairy tales, loaded as they are with mythic resonance (like birches and their endless secrets).

What about psychological exploration? Well it is the same principle really! In a sense psychological exploration is a lateral, synchronistic process. Pick an element. Tug loose a thread or two, dive in.

The more grounded you are in Germanic mythology and history you are the more easily you’ll latch onto associations. This is just another reason why grounding yourself in historical and mythological lore is so helpful.

The fact is, these corpuses, these texts are so steeped in memory. We’d be daft to pass up such rich and inviting resources, we’d be daft not to gaze at our reflections in these wells.

I find that, reading these tales, a silence, as though the world had just been born or is holding its breath before bursting into being, comes over me. Sometimes when I’ve been working as a therapist and a profound shift occurred for the client there has been this sort of moment and feeling.

But maybe psychotherapy isn’t always all its cracked up to be if the same atmosphere can rise forth from a few pages of hackneyed folk tales. Well of course everything has its place. What matters is whether the wells of our spirits are open and whether we are drinking from the underworld’s dangerous but generously offered bounties.

Grimm’s tales and operant magic? You could use a story as a sigil, recite it with building passion to a fevered, seething pitch (perfect for launching an intention). You could construct a spirit servitor and bind it to the reading of a story.

You could use a story as the basis for a visualised adventure which incorporates seeding of magical intentions into wyrd. You could use fragments of the stories as magical rhymes, mantras to trip out on, themes to spring-board yourself into introspective trances.

But don’t let my limited ideas stop you from coming up with something better! I rather hope that folk will be inspired to try out a bit of Grimmnomancy and leave some comments on this post documenting their efforts. The stories are public domain so you can find them on the net easily if you don’t own a hard copy of the book.

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Chaos, Wyrd, and the Left Hand Path

Magick is black

Reason is white

Thus magick’s unseen

It’s nature’s to hide


Introduction:

No-Thing is true. Everything is trance-mitted.” The Fool of the Sacred Chao

My name is Matt Anon. I’m a Chaos Mystic and Left-Hand Path initiate (for my take on the LHP, see below), who studies Chaos Magick, Galdor and esoteric Runology within the broader philosophy of Chaos Heathenism. The aim of my magick is encoded in my name, beside the desire to fall in love with divine mystery :ᚱᚨ: and to reawaken the ancient wisdom in my Soul. I’m attracted by the conception of a Perennial Philosophy that appeared under different guises independent of epoch or culture and seek to understand its eternal mysteries. One of the maps of special interest to me that represents an expression of that perennial wisdom is the Runic tradition as it manifested in the cosmological and magico-mystical structures of Northern European spirituality. I’ve been interested in ecstatic experiences and inspired and altered states of consciousness since my youth. I hold many wyrd beliefs that are subject to change on my journeys along the pathways that lead down, around and up the Tree. That’s why I believe that beliefs and all dualities are fetters to be loosened (the mystic’s aim) or played with (the magician’s game), rather than unchangable dogmas set in stone. Two major influences are to be named that initially got me into the Northern Mysteries: Fire + Ice and True Helm.

I explore the Runic Mysteries by emulating the divine archetype of the Rune-Master Óðinn, who is seen as a mythical role model for spiritual development. But I would look at all philosophical, metaphysical and magical worldviews not as a reality, but recognize them “as models or maps, and no one model elevated to the truth.” (RAW). That’s why I combine different approaches and techniques of sorcery and mysticism (= magick) to my own Self-Empowerment and explore the mysteries of consciousness and nature.

Though I began experimenting and toying around with magick as a teenager (often intoxicated by shroooooms), my more serious and structured involvement with magick began in my early 20’s (see for my magickal background here). Having gone through all kinds of phases and systems, beliefs and dogmas (though for many years my main focus has been Crowley’s system of Thelemic Magick), ‘enlightenments’ and delusions, I stopped looking for an occult system that ‘explains’ everything and deludes the seeker that the inexplicable could be presented in a ‘step-by-step’-system to enlightenment. After all I came to ponder about the chaosmagickal saying: ‘Nothing is True, Everything is Permittes’. Nevertheless I’m against a postmodern (POMO) relativism with its “Anything-goes”- triviality. This is, perhaps, my only real criticism of the Chaos Magick Current (though also here we begin to hear diverse voices). Once I heard clearly “das Raunen der Runen” (the whispering of the Runes), I turned my face towards the North. In this regard I take the reconstruction of the Runic Tradition very seriously & do not think that it’s just another “paradigm” for the “paradigm pirate” to “exploit”. Such a person will never grasp the profundity of the Runes – especially, when one considers that Runa can never be fully grasped (I am deeply indebted for the concept of Runa to Edred Thorsson). What I liked about the term “Chaos Heathen” that Henry’s genius gave birth to, is that in Chaos Heathenism there are no members, there are no gurus, there are no systems and there are no dogmas. There is only you, you & Runa – the eternal & sacred Dance of Consciousness & Mystery. For the Runic Quest to begin, some essential qualities are required like a thirst for knowledge, a longing for something that is hard to define (probably what deRopp called “the Will to Power”, “the Will to Meaning” & “the Will to Transcendence”), a strong self (not what common man calls ego), courage and, certainly, humour – just to name a few. But the nature of collaboration or participation in chaos Heathenism, as far as I understand it, is defined by every individual herself. In this way, I’d like to begin this journal by exploring some concepts & ideas I came across since I got into magick. Though in magick nothing ever remains the same (hey, it’s the same with life, isn’t it?) I hope that in this way I can demonstrate how I approach “the lonely path where waits the eight-legged steed” (Fire + Ice / Ian Read).

Chaos:

Chaos defines, in many ways, my approach to sorcery. I am deeply indebted for the elaboration of the meta-system of chaos magic(k) made by Pete Carrol and the magicians who developed his ideas to present us an approach to sorcery that is authentic, individualistic, result-orientated and compatible with a world that has gone mad. However, it must be said that the Chaos approach was not invented by the chaos magicians themselves, but was there, hidden and applied and made visible for the first time in the Zos Kia Cultus of the artist and sorcerer Austin Osman Spare. But it was the Illuminates of Thanateros who took on the sparks of this flame and made a huge fire of it that burnt down most – if not all – assumptions of western magic(k), and thus created a tour de force, which changed the underworld of western occultism forever.

Chaos for me means that magick has no form, that the nature of the multiverse is unpredictable, that its behaviour is chaotic, that rules and “laws” are invented by the human hardware, the brain, for making sense out of information that is by its very nature inconsistent. The Chaos approach gives us the opportunity to look at different systems of magic(k) as arbitrary, children of their time and culture, and possible models rather than fixed ones that often can be limiting to one’s transpersonal vision of sorcery. Therefore it encourages the individual sorcerer to explore different perspectives and applications of doing sorcery and developing her own system of magick rather than following the worn-out paths of others. Thus Chaos becomes the major tool to look at various schools of magic(k) and to choose those elements that are appealing to the sorcerer and that work for her. However, to my mind this is – as paradoxical as it may sound – also the great weakness of the Chaos approach. In a way, the traditional assumption that everything must be kept in balance is, once again, also true in this case. By concluding that every traditional system of magick uses an arbitrary classification, we blank out the fact that the traditional ways of thinking are ancient & have been in use over hundreds of generations. They reflect what Carl Gustav Jung has called the Collective Unconscious. Individualistic approaches to sorcery are useful, but an Alphabet of Desire will never achieve what a system like the Elder Futhark can bring forth & reveal (I suppose).

Order:


Chaos is not my aim, it is my primal condition. Basically, the human being is a multiplicity of selves, a morass of chaos, “a ‘schizophrenic’ identifying in one moment with a dominant thought, emotion or sensation that wears the mantle of self, just to be pushed aside by some other ‘I’ in an equally mechanical and accidental manner” (see Robert S. deRopp: The Master Game). Thus it must be the first aim of the sorcerer to make her willed order out of this chaotic condition, to create a Magnetic Centre, to create a “soul”, as it were. Though the Chaos approach is very useful, I practice no apotheosis of Chaos. But also, Chaos is not a condition that has to be overcome, but which must be controlled to an extent that enables the sorcerer to exercise her will upon the multiverse. However, Chaos is necessary and can never be controlled completely, which is not desirable anyway. Chaos and Order must maintain their inherent moment of tension. A universe which is fully controlled, from which Chaos is abolished, is dead. In a universe where order is absent, intentional action is impossible. That’s why the intelligent sorcerer looks – as in every area of her life – for a harmonious balance. Chaos and Order are two polarities from which existence, as we know it, emerges.

Left-Hand Path:

I personally see myself going beyond the Right-Hand Path & the Left-Hand Path divide, at least as its modern, neo-satanic version is concerned. However, as the idea of the LHP has been such an important philosophical thread on my magickal path, I want to discuss it here. Genesis P-Orridge once said something about “the Path of No Distinction”. This, of course, is a Tantric idea. And Tantra is a good starting point to bring clear light into such a confused darkness, because, at its heart, the concept of the LHP developed in the context of Tantra. We should look there first to find some answers. So, I hear you ask, what is Tantra? I have two good excerpts I want to quote that explain Tantra very clearly:

“Tantra is … an attempt to place kama, desire, in every sense of the word, in the service of liberation… not to sacrifice this world for liberation’s sake, but to reinstate it, in varying ways, within the perspective of salvation. This use of kama and of all aspects of this world to gain both worldly and supernatural enjoyments (bhukti) and powers (siddhis), and to obtain liberation in this life (jivanmukti), implies a particular attitude on the part of the Tantric adept toward cosmos, whereby he feels integrated within an all-embracing system of micro-macrocosmic correlations.” (“Tantrism”, Andre Padoux, in: Encyclopedia of Religion”, edited by Mircea Eliade, Macmillan, New York, 1986, Vol. 14, pp. 272 – 76.)

David White adds: “Tantra is an Asian body of beliefs and practices which, working from the principle that the universe we experience is nothing other than the concrete manifestation of the divine energy of the godhead that creates and maintains the universe, seeking to ritually appropriate and channel that energy, within the human microcosmos, in creative and emancipatory ways.” (David Gordon White (ed.) 2000: Tantra in Practice, Princeton University Press, p. 9)

So, for those of you who thought that Tantra is some kind of “sex religion” – sorry, this isn’t the case. In India the LHP-Tantrika uses unorthodox, transgressive means to achieve bhukti, siddhis and jivanmukti. She cuts her bindings from consensus reality and thus liberates the enlightened nature of her limitless consciousness. She transcends the limitations of the “socially constructed reality”, of the society and culture she lives in. By this she often works with behaviours, symbols, ideas and things that appear abominable to her identity and that are tabooed in her culture. Thus sex, death, drugs and madness become methods of transforming mundane consciousness into a state of enlightenment. Because everything is One, part of the same divine source whose nature is limitless consciousness, there is nothing to fear or to be rejected. Thus the Tantrika is freed from the delusion of separateness and embraces all existence, including her body and the material world. Because in India the left hand is used to do “unclean” things, this path to liberation has been called the Left-Hand Path. Nevertheless it is presumed by spiritual scholars that both paths, the Right-Hand Patt and the Left-Hand Path, lead to enlightenment. Not so in the Western conception of RHP and LHP in modern times. Here the basic idea is that every system of religion, mysticism and magic(k) that belongs to the RHP ultimately leads to dissolution, the Unio Mystica or the absorption of personal consciousness into godhood. Contrary to this popular conception the LHP magician initiates a process that is known as Self-Deification. Rather than dissolving into God (or Buddhahood) by confronting the abyss of existence/non-existence, the LHP magician tries to resist the urge to be absorbed and chooses to separate her psyche from the “objective” universe & to “create a self-aware, individual, enlightened, immortal and semi-divine entity” out of her “subjective” consciousness (see Ross G. H. Shott: The Dark Arts of Immortality). To my mind, this way of defining the spiritual journey (called Setianism, developed by Michael Aquino, founder of the Temple of Set) is short-sighted and rather an intellectual affair. I think the urge is rather stronger to be not absorbed and to maintain a kind of an ego. Please keep in mind that the whole discussion about separation (LHP) & annihilation (RHP) is a neo-satanic fantasy! Buddha once said something to the effect that what looks like annihilation to the outsider, is innermost bliss & enlightenment to the meditator. And this is the point: what modern Western LHP philosophy doesn’t seem to get is the mystical insight that it’s not just an either/or option of preservation or annihilation of self, but about the simultaneity of being self & nonself, the irrational moment of the Coincidentia Oppositorum – the paradox of Oneness. Fuck Hegel, when he mocks that the Coincidentia Oppositorum is“the night, when all cows are black”! Because this is the point, where the otherwise very useful tools of logic, rationality & the intellect collapse. Here language fails or becomes mystical poetry (thus not being an expression of logic anymore). So basically, my scepticism concerning these modern LHP conceptions comes from the fact that trying to preserve one’s ego is born out of fear and “denies thousands of years of meditative experience” (Sweyn Plowright). Eight seconds spent in Samadhi and such philosophical constructions would be burned in the inmost flame of uttermost ecstasy! The whole question of this appears so important to me, because the way one perceives the Sacred Self (or True Self) determines one’s interpretation of what happened with Odhinn at his Yggdrasil Ordeal, where he sacrificed himself to himSelf – expressed in his enigmatic words: sjálf sjálfum mér (myself to myself).

However, one can identify certain threads that can be found in both definitions of the LHP. First of all, there is the rejection of the common values of morality. The Left-Hand Path sorcerer deconditions herself from the cultural fiction she was brought up with – the cultural memes, as it were. Of course this doesn’t lead to an aversion of the values of one’s own culture. Because choosing to be anti-cultural would just mean to submit to a form of control and herd conditioning as well. The core idea here is to break inner taboos, to confront oneself with inner fears, disgusts, dislikes, repulsions etc. and to free oneself from self-imposed limitations of one’s identity (a form of Ego Magic in chaospeak; Ego Magic is about change, not about maintaining the ego like in neo-satanic philosophy). Thus a more authentic, flexible, fluid and free state of Self-consciousness can be reached. This procedure has been called antinomianism in the Western LHP tradition. This should lead to a rejection of dogmatism in general, which enables the sorcerer to question the “truths” of any magic(k)al ‘tradition’ and any route or map that pretends to show the entire path towards perfection. This leads to the second point of a genuine LHP sorcerer from my point of view: the developing of one’s own system of sorcery. (Don Webb in his witty book about the Setian path, Uncle Setnakt’s Essential Guide to the Left-Hand Path, stresses the point that one should first master a Traditional system of magick, before one attempts to create one’s own system. To my mind, this makes sense.) The sources for this process have been given to us by Austin Osman Spare and chaos magick writers. Further the LHP sorcerer doesn’t fall into the trap of denying their own ego, body and the material world. All of these are tools to power and fulfilment. LHP sorcerers don’t deny this world, they embrace it! LHP sorcerers realize that every individual has to follow her own path, her own unique explorations of what is possible for the body/mind/spirit trinity, without being dependent upon any person or system. Finally it must be add that sorcerers on the LHP are not interested in the “common good”, “God”, the “state” or any other abstract idea that submits the individual to some “higher purpose”. In the first place the LHP sorcerer strives for Self-Empowerment and her own enlightenment.

I think all those ideas describing a LHP sorcerer could also apply to a Chaos Heathen or be applied by a Chaos Heathen to her own ends, though, when I consider this thoroughly, what could be not applied by a Chaos Heathen? So, if one wants to preserve the idea of the LHP in Chaos Heathenism or apply it in that context, the best definition of the LHP to me would be that one does not follow anyone or any fixed routes to enlightenment, but rather that one follows one’s own path. The Chaotick Path makes more sense.

Magick & Wyrd:

Ceremonial Magic(k), also the one with Crowley’s ‘k’, has been associated for a very long time with so-called ‘High Magic’, which suggests that there’s some kind of ‘Lower Magic’. In the late 19th & early 20th century this meant that High Magic strives towards spiritual aims, whilst Lower Magic was orientated towards material results, basically sorcery of the rural population – folk magic (see Phil Hine: Condensed Chaos). The divisions between matter/spirit appear as utter nonsense in the face of modern neurology, or even neurotheology. This is one of the reasons why I came to reject Ceremonial Magic(k) & turned towards Chaos & Rune Magic(k). Such dualistic conceptions, like High & Low Magic, are rooted in Platonic Idealism, which were perpetuated by the monotheistic cults, from which they entered the ideological superstructure of modern occultism with its pretentious obscurantism and pompous, ego-blown ritualism. I wholeheartedly reject such short-sighted, body- and world-denying dualisms.

Magick, as Dave Lee has demonstrated in his wonderful & brilliant book Chaotopia!, includes three things:

1) making things happen to consensus reality (sorcery),

2) making things happen to one’s own consciousness according to will (self-transformation) and

3) experiencing higher states of consciousness, often leading to unitary consciousness (mysticism). In the first case (sorcery) we manifest results in Midgard or, to put it simply, in the material world. In the second case (self-transformation) we change the world of our subjective experience, which is the only way we can experience reality in the end anyway.

Self-Transformation (making things happen to consciousness) often leads to mysticism (see Dave Lee: Chaotopia!). This process (mystical experience) cannot be easily recognized by others as a result in Midgard, probably that’s why it has been excluded from chaos magick – a drawback Dave Lee corrects in Chaotopia!. In the final analysis, magick is a sublime art, and either the results of a working are ‘material’ in its plain sense or they remain – for the sceptic – subjective. The reason why I want to include “chaos-mystical”(Dave Lee) operations into the concept of magick (freed from its Low/High magic divide) has wide-ranging philosophical implications that stem from my vision of the world. This vision is holistic, animistic, & mystical – suspending the immanence/transcendence divide. Here the idea of Wyrd is very useful, which I sometimes refer to as The Net of Power. This multivalent term is reflected in Indo-European mythology of Indra’s Web and, most importantly, in Teutonic sorcery in the idea of Wyrd and the myth of the Three Norns. “Wyrd can be translated as ‘Coming Into Being’. Wyrd is imagined as a tapestry woven by the three Norns, called Urd, Verdandi and Skuld, representing an interconnected ‘fabric’ underlying all events that is manifest in every shape. Urd – still resonating in the German syllable Ur – suggests the primal or ancient and stands for the unseen influences underlying an event. It is the unmanifest potential, wherein all possibilities exist. Skuld means ‘should’ – that, what should happen if all progresses without interference” (see Sweyn Plowright: True Helm). But here we can see the wisdom of the Germanic peoples of old: Skuld is not a deterministic future, like the idea of fate in Christian conceptions of time, but is one that can be influenced, that is changeable and open to ‘chance’. “Verdandi is the process of ‘Coming Into Being’, that which is becoming or manifesting, the present moment, which we perceive as the manifest world” (Sweyn Plowright: True Helm). The sorcerer empowers herself by realizing that this vast Net of Power exists. Dr. Hyatt has described this concept in a non-Germanic context as “a web of gigantic sets of interwoven neocid-correlation matrices where one tiny push in the right place causes an entire field to collapse” (see Christopher Hyatt: The Psychopath’s Bible). We pull an entire system of symbolic signs and correspondences over this Net of Power(or we can say, the system emerges from the Net), which builds up our magickal “psychocosm” (Phil Hine). This enables us to manipulate the Net, or our Wyrd,according to our congruent Will. Thus chaos Heathen sorcerers empowerthemselves to make their innermost dreams, desires, visions and their quest for wisdom flesh. Hence the definition of magick has been often described as the pursuit of power.

References:

CHAOTOPIA! – Sorcery and Ecstasy in the Fifth Aeon, Dave Lee

THE MASTER GAME – Pathways to Higher Consciousness, Robert S. De Ropp

TRUE HELM – A Practical Guide to Nothern Warriorship, Sweyn Plowright

THE PSYCHOPATH’S BIBLE – For the Extreme Individual, Dr. Christopher Hyatt with Dr. Jack Willis

THE DARK ARTS OF IMMORTALITY: Transformation through War, Sex, & Magic,
Ross G. H. Shott

CONDENSED CHAOS – An Introduction to Chaos Magic, Phil Hine

Edred Thorsson’s Radio Free Runa talks at: http://edred.net/community/

The band Fire + Ice, especially the albums: RUNA & BIRDKING

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My Magic Hair Cut

When I was 17 years old, I joined the Army Reserve. Taking the whole process very seriously, I made sure my hair was clipped short as per regulations before I arrived at my unit for transport to recruit training. Some of the others had not taken this step, a problem which had been anticipated by the unit, and so were given regulation haircuts that night. Fortunately, one of the Corporals was dating a hairdresser who was able to provide this service at five dollars a pop. The next day we flew down to Puckapunyal where we all got our heads shaved anyway. Everyone, regulation haircut or not, got an all over, number two clipping.

As pointless as the above may sound, psychologically it did actually serve its purpose. Recruit training is intended to be a life-changing experience. The uniforms and haircuts helped get us all in the right frame of mind.

Since then, shaving my head has become a valuable personal ritual for whenever I want to get serious about something. A shaved head represents a turning point, a declaration of intent, a commitment to do whatever it takes. For me, the experience is powerful and moving. I can achieve a fraction of the same experience by tying on a pair of boots, but nothing tops a shaved head as a reminder that I’ve got a job to do.

Now, in the Eddas and Sagas the magical use of a haircut seems to actually work the other way around. A man taking an oath might commit not to cut or comb his hair until his mission is completed. In a well groomed society like that of the Norsemen, I’m sure that could be very effective magic, too. I’m going to stick with my head-shaving because that’s what works for me and, at this point, the associations are too deeply ingrained. You’ll need to find out for yourself, what works for you. But believe me in this, a haircut can be a life-changing experience and a bold New Year is just a few weeks away.

Clint

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Meditations on the Ur-Law

Tao, Dharma, Logos, Orlog, Wyrd.

The names are different, but the basic concept is universal. There is a Natural Law, a fundamental pattern that underlies reality and according to which the entire universe operates. The Ur-Law is knowable, but not explicable. Unfortunately, no-one can be told what the Logos is. You have to see it…for yourself.

Fortunately, there is a simple method that allows you to see the web of Wyrd more clearly.

Relax, chill out, take a deep breath and a few steps back. Now see, hear, feel, smell and taste without judgment, without prejudice. Scientific observation requires detachment…So does Magic. Surrender your preconceptions and you will see truth. Divorce yourself from the lust for results and you will achieve power through effortless grace.

Weird, isn’t it? That the first thing you need to do, in order to succeed, is to stop trying so hard. Fate, it seems, is not without a sense of irony.

Clint.

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Living Myth 2

Recommended Reading…

Anything by Jan Fries. Everything by Jan Fries. I say Jan Fries is required reading for Chaos Heathenism.

Raven Kaldera, Northern Tradition Shamanism Series. When I read Raven Kaldera, I definitely feel the Gods reading over my shoulders.

Galina Krasskova, Feeding the Flame: A Devotional to Loki and His Family. I could never call myself a Lokean. Because Lokean just sounds too silly. I’m a LOKO! Savvy? Other than that, I love this book.

Hail Chaos! Viva Loki! Aum Wotan!

Lois Tilton, Written in Venom The Norse myths retold from Loki’s point of view. Didn’t ring true, but totally worth it for the entertainment value.

Diana L. Paxson, Brisingamen. Definitely did ring true. Not surprising when you consider the source. I have more of Diana’s books on the way.

Brian Bates The Way of Wyrd. A novel that paints Anglo-Saxon sorcery as heavily shamanic and Wyrd as a concept similar to Tao, Dharma and Logos.

Mark Mirabello The Odin Brotherhood This one, I absolutely love. But rather than attempting to give you a bunch of reasons why, I’ve transcribed a few pages that you may judge for yourself.

AUTHOR: Let us return to your gods. Tell me, why single out these Eddaic deities from the countless gods that you say exist?

THE ODIN BROTHERHOOD: To answer that question, I must tell you the story of a young sage named “Innocent-of-Conviction.”

AUTHOR: Very well.

THE ODIN BROTHERHOOD: According to an ancient legend, “Innocent-of-Conviction” decided to test the gods to determine which deities deserved the highest honor.

AUTHOR: And how did the sage test the gods?

THE ODIN BROTHERHOOD: By being rude to them.

AUTHOR: Rude?

THE ODIN BROTHERHOOD: Yes, “Innocent-of-Conviction” decided to test the gods by uttering familiar blasphemies.

AUTHOR: An interesting idea.

THE ODIN BROTHERHOOD: Indeed it was. Well, to relate the story, first the sage approached the deity we call “The-Adversary-of-All-Other-Gods.” A jealous god, he claims he alone is divine.

AUTHOR: And how did the sage insult this god?

THE ODIN BROTHERHOOD: The sage called him a cruel and ill-tempered desert despot.

AUTHOR: And what happened?

THE ODIN BROTHERHOOD: The deity so addressed erupted into a gruesome display of wrath and anger, and he bullied “Innocent-of-Conviction” into silence.

AUTHOR: The sage was not very brave.

THE ODIN BROTHERHOOD: He was not yet an Odinist.

AUTHOR: Please continue your story.

THE ODIN BROTHERHOOD: Next the sage approached a second deity-the one we call “The-God-Who-Fears-Oblivion-And-Neglect.” Pale and dwarfish, he is the god who wants all men to know him and to love him.

AUTHOR: And how did “Innocent-of-Conviction” insult this second god?

THE ODIN BROTHERHOOD: The sage made a reference to the second god’s past.

AUTHOR: What did the sage say?

THE ODIN BROTHERHOOD: “Innocent-of-Conviction” said that any entity who had been born in an animal shed did not smell like a god.

AUTHOR: And how did the second deity react?

THE ODIN BROTHERHOOD: The second deity was displeased and hurt. He lectured the sage-he reprimanded the sage with condescending words-and he concluded his remarks with these words.

You are forgiven. Go, my child, and sin no more!

AUTHOR: This sounds familiar.

THE ODIN BROTHERHOOD: Some deities treat men as children

AUTHOR: Please continue your story.

THE ODIN BROTHERHOOD: Well, finally the sage sought out the race of lords we call the Eddaic gods. In a remote mountain citadel, he found them indulging in a feast of pork and wine.

AUTHOR: And how did “Innocent-of-Conviction” insult these Eddaic gods?

THE ODIN BROTHERHOOD: Using a brazen voice, the sage denounced them as false gods who satisfied lusts and procreated monsters.

AUTHOR: And how did the Eddaic gods respond?

THE ODIN BROTHERHOOD: At first there was a moment of silence (the gods were unaccustomed to such bold impieties), but eventually one of the revelers spoke:

Stranger, said the god, I give you this warning: if I draw my sword, it will not be sheathed again until it has your blood on it.

AUTHOR: And what did the sage say?

THE ODIN BROTHERHOOD: After a brief pause, he intuited the necessary wisdom. He spoke these words:

Friend, replied the sage, I have found courage, and a brave man does not fear the wrath of the gods.

AUTHOR: And was he punished for his hubris?

THE ODIN BROTHERHOOD: No. To the contrary, the audacity of the sage pleased the Eddaic gods, and all the revelers laughed.

AUTHOR: They laughed?

THE ODIN BROTHERHOOD: Yes. And the Eddaic gods invited “Innocent-of-Conviction” to join their feast, for they admired any man who dared to confront power. Such a man, they declared, was a natural confederate of gods.

AUTHOR: And so the sage had found his answer?

THE ODIN BROTHERHOOD: Indeed. And he had made a discovery as well.

AUTHOR: What discovery?

THE ODIN BROTHERHOOD: Beware of gods who cannot laugh.

Clint

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Living Myth

“In order to live, man must act; in order to act, he must make choices; in order to make choices, he must define a code of values; in order to define a code of values, he must know what he is and where he is-i.e., he must know his own nature (including his means of knowledge) and the nature of the universe in which he acts-i.e., he needs metaphysics, epistemology, ethics, which means: philosophy.”

“When we come to normative abstractions-to the task of defining moral principals and projecting what man ought to be-the psycho-epistemological process required is still harder…An exhaustive moral treatise defining moral values, with a long list of virtues to be practiced, will not do it; it will not convey what the ideal man would be like and how he would act; no mind can deal with so immense a sum of abstractions…There is no way to integrate such a sum without projecting an actual human figure-an integrated concretization that illuminates the theory and makes it intelligible…

…Art is the indispensable medium for the communication of a moral ideal.”

Ayn Rand, The Romantic Manifesto

When I was first introduced to Heathenism, I read the Eddas and a few Sagas, some respectable, academic publications and the Edred Thorsson books, and that’s about it. It never occurred to me at the time that I might learn something about the religion by reading a modern novel or even a comic book.

Something I’ve come to realize only recently (and maybe I’m a little slow) is that if ours was originally an oral tradition, then the myths were never intended to be set in stone. They were meant to be told and re-told. The myths were meant to live and flow and grow with each retelling, to evolve with the culture and bring joy and meaning to peoples lives. Our myths were never meant to be cooped up in musty old books.

Since I began to loosen up on the historical accuracy of the books I choose, I feel as if I’ve rediscovered some of the most inspiring stories ever written. It is only now that I feel, for the first time, the actual presence of the Gods in my life. With each new version of the myths I read, I feel the Gods growing stronger within me. I see them take on shape and solidity and definition. I watch them come alive. I know I’ve found something truly special when I find the Gods reading over my shoulder.

These modern retellings often contradict the elder lore. So what? The older stories as often contradict each other. The lesson to learn here is that each version is, at best, only one vision of a myth. None is perfect, none is any more or less sacred than any other, except to the degree that the story rings true to you.

Clint.

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Chaos Heathen?

As with questions relating to “black magic” I’m tempted to ask “Is there any other kind?”

But I’m teasing, of course. There are many legitimate varieties of Heathenism, just as there were many different cults in Ancient Greece and Rome just as there are many variations of Hinduism. (Four or six “orthodox” schools, depending on who you ask.)

Actually, this sense of intellectual freedom and openness is a big part of what drew me towards the greater Indo-European Tradition in the first place. It’s the exact opposite of the rigidity, dogmatism and anti-intellectual authoritarianism that characterizes the Abrahamic Traditions.

So I’m kind of baffled that it would be necessary for us to make a distinction between what we’re doing here and “plain vanilla” Heathenism. As if Heathen automatically means “strict historical reconstructionist”. Since when?

I certainly didn’t become Heathen out of some sense of racial obligation, or desire to turn back the clock. I consider myself a Heathen because the Norse Mythos appeals most closely to my sense of life. I never made a decision to convert to Heathenism. Rather, like Donovan, I have slowly come to realize that a Heathen is what I’ve always been. No reconstruction required.

But, what the Hell? Chaos Heathenism has a nice ring to it. It implies the right combination of sinister, primitive and reptilian. Nice call Henry, well spoken. I like it.

Clint.

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