The Seething Unconscious

In my last piece I had a bit to say about the conscious and unconscious minds. Specifically, I suggested that the unconscious mind is much more powerful, more creative and generally wiser than the conscious (ego) mind. I also suggested that trance – be it seidh related or something else – helps us to disable the conscious mind so that the unconscious mind can run the show for a while.

But I didn’t exactly define what I mean by unconscious mind, and this term is not exactly something which I’ve prized from historical seidh lore.

Before I answer this question I want to take a moment to reflect on various authors’ attempts to reconstruct a map of human psychology using old Heathen terms. Folks talk about the fetch, the hyde, önd, ödr, the hamr, and so forth. There is hugr (mind), related to Old Norse hugrunes, and it is tempting to speculate about Old Norse minni (memory) too.

Edred Thorsson even constructs a whole model in his book Runelore that is based on Jungian ideas. This approach gets some flack from other Heathens for quite shamelessly crossing different traditions/ideologies, but you have to admit it has a daring ambition to it – and some of Jung’s ideas are not so far from Heathenism, either.

Bearing all this in mind, I am personally hesitant to speculate on what a full ‘Heathen psychology’, cobbled together from old words/concepts, might look like. There are a few reasons for this, but the main one is that in modern Western cultures there are a vast number of ‘psychologies’ and often they use the same terms in different ways. Given how varied the religion and culture of old Europe was I am a little hesitant to say “this is how these old psychological terms fit together”. I’d rather give myself the freedom to be a little open-ended.

You find a useful analogy with the runes. We talk about Elder, Younger, and Anglo-Saxon Futharks as though these were very clear, discrete scripts. Nevertheless, no two Futhark carvings from days of yore that I have seen have been exactly the same. There are general trends over time and space of course (e.g. Younger Futhark scripts appearing in the latter Dark Ages in Scandinavia), but not the tight delineations that only really make sense if you are used to a mechanised and fairly abstract modern world.

As a result it’s easy to spot modern rune authors (or modern speculators on Heathen psychology) who are just making up a load of codswallop – but very hard to decide who is right about specific details when comparing authors who have done their homework. I don’t want to spend my time splitting hairs, I want to spend my time doing rune and seidh work!

In any case, all reconstructed systems are likely to fail sooner or later. There is almost always going to be some kind of exception or ambiguous circumstance and we easily risk trying to force reality to fit our (more or less) abstract model if we only have one set way of understanding things. Of course, it is very helpful to learn about as many different models as you can – you’ll have access to lots of different perspectives. This goes for both modern psychology and for reconstructing Heathen psychological ideas.

So having cleared the ground, what do I mean by the unconscious?

I’m using the term unconscious in a very broad way. It can refer to any of the following, and lots of other things
too:

* Autonomic nervous system
For example regulating breathing and heartbeat.

* Immune system
Did you know that hypnosis can significantly improve your immune response? Its been clinically proven over and over again.

* Sympathetic nervous system
For example the fight/flight reaction which can put you into some very interesting states in which you can do things you normally wouldn’t be able to.

* Digestive system
In fact I’ve read that the area around your gut lining has the most neural connections of anywhere in your body other than the brain. This might be why constipation and other stomach problems are often associated with depression or (in my and a few other people’s subjective experience) with magical/spiritual ordeals.

* Subterranean reasoning
I sometimes solve answers to rational problems by asking my unconscious to figure it out. When it is ready I just get an ‘aha!’ moment and there’s the solution. This might not work for everyone; and for some, such as my brother who is a mathematician, the conscious mind might well be able to get to the answer easily enough without deeper assistance.

* Subterranean skill development
When I want to learn new musical techniques, for example, I rarely practice much. I instead strongly intend for the skill to develop, then forget about that intention. It tends to organically emerge in the course of my usual jamming and rehearsing of existing material. In this way I’ve learned to do quite a few things as a bassist and guitarist that at first seemed impossible.

* Root source of inspiration
That part or aspect of my brain and body which can make me see new wholes out of fragments, new angles on old problems, or synthesise music in ways that I can subsequently analyse to see how it works but which I could never have consciously invented

* Intuition
For example, when I was younger I had several very bad experiences with manipulative magical demagogues. I started to realise that each of these people caused a sense of unease in my mind when I first met them. Since then I’ve learned to listen to these kinds of messages. Sometimes they’re wrong; other times they’ve given me valuable fore-warning and I’ve been able to avoid or minimise a lot of pain. Also, people that emit these warning signals tend to recognise if you’re picking up on them and that can also help keep you safe because they can tell you are onto them.

* A source of meaningful or prophetic dreams

* The parts of me that don’t over think things and are therefore much better at designing and activating magic spells (with runes this is assisted also by spending many years chanting runes, meditating on runes, memorising rune poems, etc, so there are plenty of seeds buried in my mind).

* The part of me which dips into the web of Wyrd and provides a rope up which gods and spirits can climb; and which can interface directly with the imaginal realities of the world around me while my ego just spins around in a stew of its own garbage.

* The part of me that can draw strange non-rational (as opposed to irrational) patterns in the shape of my life at times, and which helps me therefore to understand my place in the web of Wyrd.

Ok, so it’s evident that some of the things in this list I could refer to by archaic or mythological names if I wanted to, and that in fact might be an interesting way to make richer magical practices. But I am resistant to just labelling these various aspects of my unconscious for fear of limiting myself and for the reasons already discussed above.

I do think about and seek out experiences characterised by önd and/or ödr – but I wouldn’t declare these to be the only real or true experiences of such things because there is no unbroken tradition for me to draw upon to make such a claim. There’s just my subjective experience which seems to fit with what these words might have meant to my ancestors.

Laterally-minded (a sign of a well-fed and active unconscious!) readers will be wondering how all of this fits with the debate over whether gods and the like ‘really’ exist as independent beings with their own agendas or whether they are part of some kind of collective unconscious, archetypal structuring principles of human experience.

I think this whole debate misses the point personally.

The thing is that archetypes in Jungian and post-Jungian theory seem to have independent wills of their own, just like gods. Conversely, gods affect the individual psyche in a way very similar to the way archetypes do.

Jung offered various definitions of “archetype” but I’m sure that at least once he suggests that they are not just structures of human consciousness or experience, but indeed are inherent structures of reality (or if you are a transcendental idealist, perhaps they are some kind of formal structure which comprises enabling conditions for the existence of consciousness in the world). In any case saying that the gods are inherent structuring principles active throughout reality seems like a pretty ‘hard polytheist’ description to me. So the debate could well be just a dispute over arbitrarily assigned names.

Jan Fries wins the prize for me (he often does). Considering that even recently invented deities can have a good deal of power (witness the Wiccan Goddess), he suggests that things are much more complicated that we can really understand and that while the gods might in fact be illusions, we humans are nevertheless still more illusory. Actually I should clarify – Fries attributes this point of view to something Loki suggested to him. It does sound a lot like something Loki would say. I think Fries is less interested in virtually irresolvable abstraction and more interested in spending time going to meet the gods, whatever their ontological status might be. What a great role model!

One of the richest explorers of ‘polytheistic consciousness’ I have encountered is the post-Jungian psychologist James Hillman. Hillman’s writing is astoundingly deep. I daresay he understands and feels the character of divine beings much more deeply than most hard polytheists (or even most theists), despite the fact that from his point of view he is ‘just’ taking about archetypes.

The lesson on this front is once again that belief is cheap (see my previous post)! Do your opinions help you
understand and relate to the gods, or hinder you? Learn all you can about archaic Germanic psychological lore and learn all you can about your own seidh/magical/trance experiences. Explore your consciousness and unconsciousness. But make sure you spend more time practicing than you do theorising (at least once you have sufficient grounding in the mythology and history). You’ll have a lot more fun, and frankly our ancestors probably spent more time practicing than theorising too.

Jan Fries has popularised the term Deep Mind. This can refer to any of the aspects of the unconscious I have suggested above, plus it can refer to the imagination, to spirits, to gods, indeed to the Axis Mundi itself. It is a psychological term which opens up into things that are far beyond the merely psychological. I think this is a really helpful concept. It keeps us on the path of opening into magical experience and new horizons of consciousness.

Given the extent to which I’ve been assassinating the reputation of the conscious or ego self, I feel I should mention something about this. Its not that I think the conscious ego self, which finds itself in its feeling of subjective separateness and language-bound narrative, is all bad. Following Nietzsche, however, I regard it as the more recent part of human conscious and consequently the least well developed. I think the only way to develop it is to get it into a harmonious relationship with both the unconscious and the world around it (remember that natural world thingy outside our smoke-choked cities?).

This will eventually lead to the conscious/unconscious split dissolving. At that point we might get to dial direct to the well of Mimir via the graceful branches of Yggdrassil (see Bil Linzie’s amazing writings for more on this). Sounds good to me.

Also, your unconscious is sensitive to what you feed it. If you feed it a steady diet of bad TV, fast food and consumerist “I want it yesterday” mentality then it will get sick and your conscious ego will suffer too. It might be helpful to treat it like a high-maintenance and very loving pet which can nevertheless eat you if you mistreat it.

Well this has been a lot of pontificating now and I really should be practicing what I preach. I’m going to try to discipline my garrulous mind and make the next few posts specifically practical in character. Of course for me writing can easily slip into a flowing, inspired consciousness in which one word leads to another word. So even this pulpit sermonising silliness is a kind of magical experience and practice. Jormangand, I suspect, likes to gnaw on his own tail when he gets the munchies.

Til next time!

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Seidh and Trance

There is healthy debate in modern times about what exactly seidh is, or how best to construct some kind of modern seidh practice from the paltry historical evidence available.

What seems beyond debate, however, is that seidh is about altered consciousness.

If we consider the various powers it is attributed to provide (shapeshifting, prophecy, cursing), the trance-like descriptions of its uses in the sagas and even the ergi references in the lore to be somehow related to individuals behaving in socially unacceptable or at least uncharacteristic ways, then it seems inescapable to me that seidh magic in what ever form is about attaining altered consciousness, about trancing.

What is a trance? From the point of view of modern hypnosis, a trance is any state of consciousness which has a degree of focus. Right now as I type away I am entranced by the task I am engaged in. Particularly common trances folks find themselves in are while driving, while reading, while exercising, while having sex or in meditation. Berzerkergang, insofar as it is a very dramatic altered consciousness state, is also a trance. Depression, shock and elation are all trances.

If we are in trances all of the time, what is so special about hypnosis, meditation, and so forth? I would suggest that trances which bring positive change are preferable to those induced by, say, television. Hypnosis and the like are basically techniques for using trance to seed positive ideas, feelings, beliefs and so forth. In fact, I would go further and suggest that hypnosis can be a tool for shutting up the endlessly nattering conscious mind so that the unconscious, which is always going to be a lot bigger and more powerful than the conscious, can get on with doing its good, creative work.

Just as you are what you eat, you are what you experience in trance. I haven’t owned a television for years for this very reason. Television exerts a compelling trance fascination, particularly if you aren’t often exposed to it and therefore aren’t used to its effects. The scary thing is that the people who decide what is on the TV have all kinds of agendas. These agendas are unlikely to have your individual needs and well-being at heart – and that is a grand understatement.

Anything I can do to develop my ability to trance-form I consider to be good grist for the seidh mill. Here are several propositions to consider if you agree about the place of trance in daily life and/or seidh magic:

1) Your conscious mind is less important than it wants you to think.

All the really good stuff gets done by your unconscious anyway, often via the doorway of a trance state. This holds for the basics of life such as having a regular heartbeat. This holds for having the co-ordination to confidently move your body. This holds for the eccentric fusion of reason and intuition that produces both
scientific breakthroughs and brilliant art. When I am dancing or composing or improvising my conscious ego self – shrunk by trance into a tiny speck – can sit back and marvel at the endless possibilities for creative expression that the rest of my being produces so easily but which daunt my ego completely.

2) Belief is cheap.

Folks argue endlessly over which ideology or belief or theory is correct, particularly in the worlds of psychology and religion. Truth matters in questions of physics or politics, but I would suggest that it becomes much more complex when we examine our own psychophysical nature. An important question to ask other than “am I right?” is “does this belief help me or others?”. If I believe I am worthless and doomed to failure then this belief is likely to shape my decisions and actions and become self-fulfilling. Fortunately the reverse is also true. To shift from a negative loop to a positive loop we have any number of options. I intend to explore some of these options in this journal.

3) Perfection is overrated.

Many people involved in spiritual pursuits, personal growth, psychotherapy, etc, are interested in becoming better or different to the way they perceive themselves being prior to getting interested in these things. This can have unfortunately consequences. I have met many people who shackle themselves with a perfect image of how they would like to be and flog themselves mercilessly when they inevitably fail to meet this ideal. The fact that they may have actually improved themselves a great deal despite their failures goes unnoticed.

A much better attitude is simply to accept that each of us has positive and negative potential. If I am less concerned with perfection and more concerned with learning how to change the consciousness state I am in at a given moment then it doesn’t matter if I am perfect or not. I can get quicker and quicker at recognising when I am in a bad way and more and more competent at interrupting the pattern I am in so that I move into a more beneficial state.

My point is not that trying to improve oneself is a waste of time. My point is that we are likely to be more successful if we abandon the dream of a perfected ego self and instead work with the far more powerful tides of trance and deep mind – forces which can take us to far richer and more beautiful (and often more humourously humbling) places than we could consciously imagine anyway.

4) Change wins.

Whether we imagine the vast complexities of a quantum universe or the endlessly cycling patterns of wyrd, change wins. The effort it takes to keep ourselves unchanged is monumental. This is even true if one is stuck in a pattern that seems immovable. If you are feeling depressed or anxious you might like to experiment with consciously trying to be depressed or anxious. Many people find it hard to voluntarily keep doing something that they started doing involuntarily or unconsciously. There is no point trying to defend eternal borders, because they never existed. Things can be unique, specific and localised. But they cannot be utterly isolated, unchanging, from everything else. The trick to surviving and prospering, therefore, is not to attempt to rigidly fight the inevitable eddies and flows of change,but rather to ride them.

From these four premises I propose to explore seidh magic as a vehicle, inspired by my Germanic ancestors, for getting better and better at altering and exploring my – and other beings’ – consciousness. Seidh can present an opportunity to take responsibility for my life as a being perpetually entranced – and indeed, I believe that Odin makes an excellent, if flawed, model and guide for this taking responsibility.

One of the main areas of interest I have in trance at the moment is rhythm. Although drumming is far from my speciality as a musician, I have been exploring the worlds of percussion in strange ways. For example, it is very difficult to play in two time signatures or two tempos or indeed to purposefully play out of time with oneself when one normally plays in time without effort. As soon as one hand is drumming in a 4:4 rhythm and the other in a 7:8 the conscious mind becomes quiescent. The task requires more than you can manage with surface will.

As I say, I am not a skilled drummer, although as a bassist I do have very good rhythm. So while exploring seidh consciousness and firing off rune sigils I have been drumming myself into very odd states. The drumming that I have been doing would not sound particularly interesting to an audience (unless they were interested in strange experimental improvisation!) – but it gets me wide open to some very positive trance spaces. I find it very hard to play out of time with myself, my conscious mind strenuously resists this – but when I get there I go far and deep and quickly, too.

As I develop better drumming skills in these specific areas I will perhaps post some recordings.

Of course the use of drums by historical Germanic magicians is also debated. I know there is no real evidence either way – although I’ve read that some really old European drums (I think circa 3000 BCE) have been found by archaeologists, so it seems on that basis quite plausible that the old Germanic tribes knew about these things. Also the Saami shamans use drums and since it seems likely that their practices were an influence of the development of historical seidh I think this adds further circumstantial support to the use of drums in seidh. Of course the ways in which I am exploring drumming has no precedent except that of my own musical imagination, which in turn flows from divine forces (IMHO). It does make for more intense trance experiences however.

Another aspect of rhythm I have been exploring has been in drawing. When I design my bind runes I work with my materials as rhythmically as possible, keeping the pastel movements regular and cyclical in motion as the rune images sink deep into my mind. In this way even the preparation of the bind rune for magical purposes serves as a kind of magical rite, and helps to bring together the practices of galdor (rune magic) and seidh. Indeed, all of this leads me to believe that galdor and seidh are much more closely related than some folks opine. Since the lore is pretty much silent on their relationship (and even exactly what these magical practices were), I think my opinion is just as good as the next person’s, with the added bonus that it helps me do better magic (see proposition number 2 above).

So what about this unconscious I’ve been talking about? Stay tuned for more…

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Seething, Seidh, and Ergi

There seems to be a lot of debate about whether or not seid/seidh has anything to do with the notion of seething. One point in this debate that tends to get overlooked in the to and fro is that of Jan Fries, who pointed out that seid is described as ergi in the old sources and the Indo-European root of ergi, *ergh-, means “to move heavily, to tremble, to quiver, to be excited” – a metaphor that evokes much more strongly the image of a boiling, seething, agitated magician than it does the image of a calmly seated one. This word also cognates, he has pointed out, with the ancient Greek orcheisthai: quivering, leaping, jumping, dancing. Perhaps seid was considered ergi (shameful) because it provoked otherwise reserved and self-controlled individuals to act with complete abandon, to give into to “weakness” and let themselves be driven by impulse and divine madness? And yet I believe something similar is going on with berzerk rage – Odin as both shameful/effeminate AND hyper-masculine!

Given the disagreement around seid it would be prudent for all parties to accept that each has a little truth. In exploring the worlds of improvised and trancing dance I have certainly experienced shape changing, visions, prophecy, and who knows what else. Here are some shots of me going for it in my wife’s energy dance class:

seethingseidhergiimage

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